supported by 7 fans who also own “Beatrice was her name”
There is something about Australian 'indie' pop that is clearly unique and second to none when at it's best. Drawing on a long and proud history arguably beginning in the post-punk era of the late 70's influences such as The Go Betweens and early Triffids can be heard. There's also a deliberative nod to the Dunedin Sound of bands such as The Clean and The Chills.It's unassuming, jangly guitar with shared male & female vocals. Nostro
supported by 6 fans who also own “Beatrice was her name”
This sounds like warm memories of listening to The Field Mice or some other Sarah Records band and wondering 1) who is this?, & 2) where can I find more? viewofdelft
Another devastatingly beautiful batch of indie rock confessionals from Ontario singer, producer, and multi-instrumentalist Linnea Siggelkow. Bandcamp New & Notable Apr 28, 2024
The experimental rock band's new record is as melodic and inventive as ever, but now with an even more honed sense of play. Bandcamp New & Notable Apr 27, 2024
Ross J. Farrar of Ceremony creates dubby outside punk evoking the minimalism of Young Marble Giants on his second solo record. Bandcamp New & Notable Apr 27, 2024